The highly regarded Actors Studio Drama School at Pace University is currently exhibiting its annual repertory season of plays at the ASDS Repertory Theater in Lower Manhattan. Starting tomorrow and continuing through
Starting tomorrow (Wednesday, October 20) and continuing for five weeks (through November 20), the school will present ten productions, ranging from re-stagings of legacy works, to new dramas and musicals. All shows will be staged by students graduating with MFA degrees in acting, directing, and playwriting. All of these performances are free to attend.
Tomorrow through Saturday (October 23), the program will feature “North Carolina,” a new one-act play by Brett Goldberg that showcases the flawed nature of human connection, and the lengths we go to attain comfort, along with “Dog Sees God: Confessions Of A Teenage Blockhead,” Bert Royal’s “unauthorized continuation” that reimagines characters from the popular comic strip Peanuts as degenerate teenagers.
Next week (Wednesday, October 27 through Saturday, October 30), the headliners are John Patrick Shanley’s “Danny And The Deep Blue Sea” (about two wounded souls who meet in a bar begin a conversation that leads to an unlikely connection) and “John And Jen” (a musical by Andrew Lippa and Tom Greenwald about the relationships between a brother and sister and then, after the brother is killed, between the sister and her son).
The Actors Studio repertory season continues the following week (Wednesday, November 3 through Saturday, November 6) with a triple bill of “The Sugar Plant,” “God / Machine,” and “Roger and Vanessa.” The first is a new one-act play by Timothy Nolan about an artist who must choose between the husband she loves and the work that keeps her alive. The second is (also a new one-act play) is Joris de Graaf’s tale of a world where a machine is worshipped as a God. The third is Brett C. Leonard’s comedy about a newly released convict who schemes to hit the big time as a singer, in spite of the fact that he can’t sing.
The fourth week (Wednesday, November 10 through Saturday, November 13) features “Salacious Sins of Sister Cuthberta (All In The Name Of Porridge),” a new one-act drama that author J. Gulotta describes as, “an absurd play for an absurder world.” Also on the bill: Election Day, Josh Tobiessen’s dark comedy about the price of political (and personal) campaigns.
And the cycle concludes (Wednesday, November 17 through Saturday, November 20) with a staging of “Hope and Gravity,” playwright Michael Hollinger’s story of a falling elevator that causes nine lives to collide in surprising ways, both comic and tragic—through love and sex, poetry and dentistry—while tracing the barely perceivable threads that connect us all.
All of these plays are being staged at the ASDS Repertory Theater (80 Greenwich Street, between Rector and Edgar Streets), and the four performances begin at 7:30 pm on the days indicated. There is also a Saturday matinee for each production, which starts at 3:00 pm.
All performances are free, but space is limited to 70 percent of the venue’s capacity by COVID-19 restrictions. (Further precautions mandates for physical distancing and the wearing face coverings, along with a requirement that attendees self-certify they do not have symptoms, and have not been diagnosed with or had direct contact with a COVID-19 case in the past 14 days. Proof of vaccination or a recent negative COVID test are also necessary.) Anyone wishing to attend is urged to register in advance for complimentary tickets by browsing
asdsrepseason.com, and clicking on “Make a Reservation.”
Matthew Fenton
How do I make a reservation for these performances?